• Le Corbusier LC3 armchair in black leather(7017B)
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  • Le Corbusier LC3 armchair in black leather(7017B)

Le Corbusier LC3 armchair in black leather(7017B)

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Le Corbusier LC3 armchair in black leather(7017B)
Material: italian leather,sponge, SUS304# polished stainless
Product size:180*70*68
CBM:  1.35
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$399.00 $318.00
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  • COLOR:
    BLACK
    BLACK
  • DIMENSIONS:
    1 SEAT
    2 SEAT
    3 SEAT
  • MATERIAL:
    LEATHER
    LEATHER
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  • Le Corbusier LC3 armchair in black leather(7017B)
  • Description
  • DESIGNER
History of Le Corbusier LC3  Arm chair
- Le Corbusier LC3 Armchair was originally designed in 1928 for the Maison La Roche house in
Paris.Le Corbusier is widely considered the most important Modernist chair designer in France. As a
spirited advocate of Modernism, Le Corbusier created a range of chairs that express his ideals with great ophistication. The Le Corbusier LC2 is the icon of Le Corbusier collection.
- Our replica Le Corbusier LC3 Armchair in Black Leather is a high quality reproduction in the style of the original design.
- Available with Armchair,two seat sofa, and three seat sofa.
- Genuine Full Top Grain Aniline leather and Italian leather.
- Mirror Polished Stainless Steel frame.
- High and Multi-density,compliant cushions wrapped in Dacron polyester batting; Reinforced bottom seat cushions for firm, long-lasting comfort.
- Flexisable nylon webbing on the base to support cushions.
- Adjustable leveling floor protecting foot-caps.
- Our replica is same as to the original design specifications. We use an independent quality control auditor to supervise the entire production process; ensuring every product is of the highest quality and has absolutely no imperfections.
- Competative price which fit for your market to catch more buyers.

Le Corbusier

Le Corbusier (1887-1965).Swiss born, Charles-Édouard Jeanneret-Gris spent his youth travelling through Europe, coming in contact, among other things, with the Sezession environment in Vienna and with Gropius and Mies van der Rohe in Berlin. In his early thirties, he opened his legendary architecture studio in Paris. In addition to becoming immensely famous as an architect, Le Corbusier was also an urban planner, painter, sculptor and writer. His collaborations with his cousin Pierre Jeanneret and with Charlotte Perriand were decisive. Together, they presented a revolutionary one-room studio apartment at the Salon d'Automne in Paris in 1929, with furniture pieces which embodied the modernist spirit. They were conceived as instruments suitable for furnishing spaces built for the modern man, which explains why Le Corbusier loved to speak of "équipement." These furnishings had to be utilitarian, an expression of their function. The new value proposed by the coupling of form and function: the object, stripped of its ornaments, recovers its implacable and intimate sense of beauty, expressing its very nature in the harmony of its new form, simple and essential. The public's reaction was predictably hostile. But as fate would have it, the legend was awaiting.

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