• barcelona chair (8030-1)Luwig Mies Van Der Rohe
  • barcelona chair (8030-1)Luwig Mies Van Der Rohe
  • barcelona chair (8030-1)Luwig Mies Van Der Rohe
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  • barcelona chair (8030-1)Luwig Mies Van Der Rohe
  • barcelona chair (8030-1)Luwig Mies Van Der Rohe
  • barcelona chair (8030-1)Luwig Mies Van Der Rohe

barcelona chair (8030-1)Luwig Mies Van Der Rohe

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Material: italian leather,sponge, SUS304# polished stainless 30*12mm thickness shinning polish finish.
Product size: 76*76*76cm
CBM: 0.52
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  • barcelona chair (8030-1)Luwig Mies Van Der Rohe
  • barcelona chair (8030-1)Luwig Mies Van Der Rohe
  • barcelona chair (8030-1)Luwig Mies Van Der Rohe
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Product name: Barcelona Chair and Ottoman by Mies Van Der Rohe

Reproduction of the top famous modern classics design.Barcelona Chair and Ottoman chair by Luwig Mies van der rohe. Ludwig Mies van der Rohe, along with Walter Gropius and Le Corbusier, is widely regarded as one of the pioneering masters of modern architecture. Mies, like many of his post World War I contemporaries, sought to establish a new architectural style that could represent modern times just as Classical and Gothic did for their own eras. He created an influential 20th century architectural style, stated with extreme clarity and simplicity.

Mies Van Der Rohe

Ludwig Mies van der Rohe (1886-1969).In addition to being one of the most significant and influential architects of the 20th century, Ludwig Mies van der Rohe is considered the most rigorous of the Rationalists, with his pure, perfectly geometric spaces, organized on planes freed of the restrictions of walls. Born in Aquisgrana, he studied and worked as a furniture designer in Berlin, coming into contact with Gropius and Le Corbusier. He later remained fascinated by the works of Wright. When he opened his own architecture studio, his work began to draw closer to the De Stijl movement and Constructivism, and he started designing using steel and glass, extremely innovative elements for the time. Vice-president of the Werkbund, a cultural organization of primary importance in the '30s, he also served as director of the Bauhaus. Among the main European projects are the Weissenhof building in Stuttgart, Villa Tugendhat in Brno, and the German pavilion for the 1929 International Exposition of Barcellona. In 1937 he moved to the United States, where he was appointed Dean of the Faculty of Architecture at the Institute of Technology of Chicago, dedicating his efforts, among many other things, to the building of skyscrapers, defining continuously new and functional designs.

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